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๐ƒ๐„๐‘ ๐‹๐„๐“๐™๐“๐„ ๐Œ๐€๐๐
Digital LP version
FACE B โ‰ˆ 21min

Produced and commissioned by ๐”๐๐„๐€๐‘๐“๐‡
(for Ensemble & electronics)
"๐‘ป๐’๐’…๐’‚๐’š, ๐’š๐’๐’– ๐’‚๐’“๐’† ๐’•๐’‰๐’† ๐’‡๐’Š๐’“๐’”๐’•, ๐’“๐’†๐’”๐’‘๐’†๐’„๐’•๐’†๐’… ๐’ƒ๐’š ๐’†๐’—๐’†๐’“๐’š๐’๐’๐’†, ๐’‚ ๐’Ž๐’Š๐’๐’Š๐’”๐’•๐’†๐’“,
๐’‚ ๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’, ๐’Ž๐’‚๐’š๐’ƒ๐’† ๐’†๐’—๐’†๐’ ๐’‚ ๐’‘๐’“๐’Š๐’๐’„๐’† -
๐‘ซ๐’ ๐’š๐’๐’– ๐’Œ๐’๐’๐’˜ ๐’˜๐’‰๐’‚๐’• ๐’š๐’๐’–โ€™๐’๐’ ๐’ƒ๐’† ๐’•๐’๐’Ž๐’๐’“๐’“๐’๐’˜?! "

DER LETZTE MANN was premiered by ๐„๐ง๐ฌ๐ž๐ฆ๐›๐ฅ๐ž ๐Ÿ๐Ÿ, ๐‹๐š๐ฌ๐ณ๐ฅ๐จ ๐”๐ฆ๐›๐ซ๐ž๐ข๐ญ, and ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐จ๐ฉ๐ก๐ž ๐†๐ฎ๐ข๐ซ๐š๐ฎ๐, on 21 may 2022, at ๐’๐ญ๐ฎ๐๐ข๐จ ๐“๐‡๐Ž๐‘ Brussels.
Composed by Christophe Guiraud and Laszlo Umbreit.



Christophe Guiraud composes a score for large ensemble lasting around an hour.
Laszlo Umbreit composes various electronic frames lasting around half an hour.
These two compositional blocks are cut into several sub-divisions, in order to be intertwined between them, like a mosaic, as a parallel to Murnau's expressionism.
Technomorph hauntology is the core of the whole musical piece.
It is an unusual cine-concert, the musical piece is autonomous, and nevertheless dedicated to Murnau's film.
Breaking radically with the traditional cine-concert form, where the music sticks to the narrative flow, this sound fresco interferes in a subtle way in the poetic substance of the movie.
๐‘จ ๐’”๐’๐’“๐’• ๐’๐’‡ ๐’”๐’•๐’‚๐’“๐’“๐’š ๐’‚๐’–๐’“๐’‚ ๐’†๐’Ž๐’‚๐’๐’‚๐’•๐’†๐’” ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’‚๐’• ๐’‘๐’๐’‚๐’„๐’†.

__________________________


{dedicated to and in memoriam ๐’๐žฬ๐›๐š๐ฌ๐ญ๐ข๐ž๐ง ๐…๐š๐ฎ๐ฏ๐š๐ซ๐ช๐ฎ๐ž}
โ€ข Sรฉbastien passed away fourteen years ago, his beautiful spirit remains โ€ข

__________________________

* avec lโ€™aide et le soutien de la Fรฉdรฉration Wallonie Bruxelles
__________________________

credits

from DER LETZTE MANN (Unearth project / Ensemble & electronics) (Digital LP), released September 17, 2022
Musicians are :
๐Œ๐š๐ซ ๐’๐š๐ฅ๐š ๐‘๐จ๐ฆ๐š๐ ๐จ๐ฌ๐š, ๐‰๐ฎ๐ฅ๐ข๐š ๐–๐ž๐ญ๐ณ๐ž๐ฅ : Paetzold recorders (basset / doublebass)
๐‹๐š๐ฎ๐ซ๐ž๐ง๐ญ ๐‡๐จ๐ฎ๐ช๐ฎ๐ž, ๐ˆ๐ง๐žฬ‚๐ฌ ๐•๐ข๐ฅ๐š๐ซ๐ข๐ง๐ก๐จ, ๐‹๐ฒ๐๐ข๐ž ๐ƒ๐ฎ๐Ÿ๐Ÿ๐š๐ฎ : Vl1, Vl2, Vl3
๐€๐ค๐ข๐ค๐จ ๐Ž๐ค๐š๐ฐ๐š, ๐‰๐ฎ๐ฅ๐ข๐ž ๐Œ๐ข๐œ๐ก๐š๐ž๐ฅ : Vla1, Vla2
๐‚๐ฒ๐ซ๐ข๐ฅ ๐’๐ข๐ฆ๐จ๐ง, ๐๐ข๐ž๐ญ๐ž๐ซ ๐‹๐ž๐ง๐š๐ž๐ซ๐ญ๐ฌ : Vcl, Doublebass
๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐จ๐ฉ๐ก๐ž ๐†๐ฎ๐ข๐ซ๐š๐ฎ๐ : Realtime electronics and tapes
Direction : ๐Œ๐š๐ซ๐œ ๐‚๐จ๐ฅ๐ฅ๐ž๐ญ

๐‹๐š๐ฌ๐ณ๐ฅ๐จ ๐”๐ฆ๐›๐ซ๐ž๐ข๐ญ : Independent electronic & field-recording parts

Rรฉgie/image/recording : Laszlo Umbreit
Coordination : UNEARTH and Kaja Farszky (Ensemble 21)
Mixed, edited, & mastered for ยฉUNEARTH by Christophe Guiraud

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UNEARTH laboratory Brussels, Belgium

UNEARTH is a laboratory which focuses on contemporary music and sound art.
Our aim is to explore the intersection between electronic, generative and written music.

Concerned also by extra-musical territories surrounding the contemporary musical scene.

UNEARTH is a music label & production platform.

UNEARTH intends to be a help for the contemporary sonic field.
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